Obraz i spektakl jako przemysł kultury: między konsumpcją i uczestnictwem

Kazimierz Krzysztofek

Abstract

The article deals with spectacle which emerged as living plan of culture. Throughout the history the spectacle has been dependent on technique which entered - the most dynamically the theater and later o the big mass events. At the outset of the XXth century the role of spectacle was taken over by the cinema and since that time one can say that the spectacle has become mediated. What is going on the live plan migrates to media