De Tirso a Zorrilla: Don Juan romántico, fruto de dos siglos de viajes del burlador de Sevilla por las literaturas europeas

Joanna Mańkowska

Abstract

Don Juan Tenorio, trickster of Seville, an important contribution of Spanish culture to the European, is, according to Maeztu, a character whose essence remains unattainable for foreigners. Nevertheless, when conquering scenes from his homeland, he seized those of other countries. When travelling for over two centuries across the baroque, romantic and enlightened Europe, he suffered from a remarkable metamorphosis and just over 200 years after his birth he was saved thanks to love and holly mercy, in Don Juan Tenorio by José Zorrilla. However, Ortega y Gasset insists that Zorrilla did not intent to give a new interpretation of the Don Juan topic but to return to the more traditional image of the legend. It appears fascinating to discover what this return to the baroque origin of the myth consists of, while noticeable changes in the model of the Don Juan character will be commented, from 1630, date of publication of The trickster of Seville, until 1844, The year in which Don Juan Tenorio is released.
Author Joanna Mańkowska (Wydział Nauk Humanistycznych i Społecznych)
Joanna Mańkowska,,
- Wydział Nauk Humanistycznych i Społecznych
Journal seriesAnagnórisis. Revista de investigación teatral, ISSN 2013-6986, (0 pkt)
Issue year2017
No15
Pages342-374
Publication size in sheets1.6
Keywords in EnglishDon Juan myth. The trickster of Seville. Don Juan Tenorio. Tirso de Molina. José Zorrilla
Languageit włoski
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J. Mańkowska De Tirso a Zorrilla Don Juan romántico, fruto de dos siglos de viajes del burlador de Sevilla por las literaturas europeas ART.pdf 679.83 KB
J. Mańkowska De Tirso a Zorrilla Don Juan romántico, fruto de dos siglos de viajes del burlador de Sevilla por las literaturas europeas oświadczenie.pdf 186.84 KB
Score (nominal)5
Score sourcejournalList
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