Historia i obrazy. "Niedokończony film" Yael Hersonski

Agnieszka Nieracka

Abstract

The complex relations of the cinematic image with history and memory are the context for the analysis of A Film Unfinished. The author refers to other documentary evidence of the Holocaust (Night and Fog by Alain Resnais and Shoah by Claude Lanzmann), to the concept of postmemory (Marianne Hirsch) and image epistemology (Georges Didi-Huberman). This film presents the found footage — a Nazi propaganda document Das Ghetto subjected to the strategy of representation, which consists of a complex network of viewpoints, including various formal procedures. The au­thor reflects on the status of images combined with the testimony of the survivors, the diaries of the ghetto inhabitants, the statements of the Nazi cameraman.
Author Agnieszka Nieracka (Filia we Wrocławiu / Wydział Prawa i Komunikacji Społecznej)
Agnieszka Nieracka,,
- Wydział Prawa i Komunikacji Społecznej
Other language title versionsHistory and images: Yael Hersonski’s A Film Unfinished
Journal seriesPrace Kulturoznawcze, ISSN 0860-6668, (B 7 pkt)
Issue year2018
Vol22
No3
Pages83-92
Publication size in sheets0.5
Keywords in Polishdokument, postpamięć, obraz
Keywords in Englishpostmemory, documentary, Holocaust, image, Das Ghetto
DOIDOI:10.19195/0860-6668.22.3.7
URL http://pkult.sjol.eu/category/-730
Languagepl polski
File
historia_oswiadczenie.pdf 314.45 KB
Historia i obrazy_tekst.pdf 915.12 KB
Score (nominal)7
ScoreMinisterial score = 7.0, 15-10-2019, ArticleFromJournal
Citation count*
Cite
Share Share

Get link to the record


* presented citation count is obtained through Internet information analysis and it is close to the number calculated by the Publish or Perish system.
Back
Confirmation
Are you sure?